Showing posts with label Decolourant. Show all posts
Showing posts with label Decolourant. Show all posts

Saturday, May 11, 2013

Play Day at Meredith's

Whoeee! I had fun at Meredith's, for detailed description see the Fyber Cafe blog. We did ice dyeing, discharge with decolourant, and bleeding tissue paper. I mostly worked on T-shirts, ice dyeing the light ones, and discharging the darker ones. I used several stencils, and decolourant, I really like the red one with the spirograph pattern. I think I will further embellish at least one of the ice dyed ones. I did ten fat quarters of white cotton, in several group colorways. One set had jet black, warm black and bronze, then on two of the pieces I added warm yellow, and two others I added orange. I wanted rich deep colors, a few of them did come out dark, but several were lighter. The next set of colors I used was turquoise, bright green and navy, on two pieces I added bright purple, and on the others I added fuchsia. Having a set of coordinated colors, gives me several options to create a cohesive art piece. Playing with the bleeding tissue paper was fun, we applied ripped pieces with water, and the colors blended. Unfortunately I rinsed mine after removing the tissue, and lost most of the color. At the end of the day my hands were very colorful! It washed out quickly by the next day, but stayed in my cuticles for a week.

Sunday, July 29, 2012

Jacquard Decolourant

Some of my finished pieces of discharged fabric need a little something extra, so I got out my Shiva paint sticks and added a copper metallic to the ginkgo leaves. I used the same small and large stencil that I had used to discharge, and added copper leaves all over the fabric. Now it needs to set a few days, and heat set with an iron, and then decided what I want to do with it.



I also added silver metallic paint stick to one of the pieces of fern fabric that I used the Declorourant Plus white on. Painting the ferns to overlap a little bit, added another dimension to the layers, and a ghostly silver/white. Is the picture clear enough to tell the difference between the tan discharge and the silver Shiva?



Several pieces of what I think are navy blue Kona Cotton fabric were floating around my table, so I did some more decolourant plus white, onto them. I used several different stencils, leaves, flowers, maple leaves and a smaller curly cue pattern. You can see in the one photo were one of the fabrics is only half coated with the decolourant. I've got them rinsing now, so I'll see if I got a good navy/white or if it discharged to tan.


Now to dream up another project to use the fabrics on. Any suggestions?

Thursday, July 26, 2012

Stone Washed Leaves

The piece of discharge fabric with the large tropical leaf stencil was intriguing me, I thought it looked like stone washed blue jeans. I decided I wanted to quilt it wholecloth, and not cut it up. So I went through my Bali batiks, and some other fabrics until I found an assortment to go with the leaves. Kind of a gray, peachy, tan, and creamy, color blend.


While cutting strips up for a border, I decided I did not want a symmetrical square quilt, it was too much black in the center, and I was choosing light colors for the border, to match the discharged areas. The resulting border was added on the left and bottom, with strip sets of the batiks, and a narrower plain border on the top and right. Choosing the width of the plain border was a challenge, I even asked my husband's opinion. He is very good about constructive advice, and I often take it, but he accepts that I go my own way occasionally. So I have no problem asking him, when I can't make up my mind about a decision.


The quilt top went together quickly, and the next morning I started quilting on it with rayon thread. I choose 6 different colors of thread to quilt in the leaves, one for each shade of leaf, gold, lavender, cream, silver, charcoal, and rust. I don't know if it made any difference at all, it is not very noticeable. I used an outline/echo quilting pattern, and used the same in black for the background and border. I finished it in a solid black binding, with the backing and sleeve black also.



The three photos of the whole quilt are, the top only, and then after the quilting, and a closeup. I think it looks very crisp and modern, but it also has an Egyptian look to it, especially with the quilting in the background, which is hard to see in the photo. So I am very pleased with it, it is a beautifully shaded piece of fabric, and not cutting it up, really showcased the discharging.

Tuesday, July 24, 2012

Discharging Fun

Yea, Peggy came over and we got to play with several different types of discharging. I started with a spray bottle of 50% bleach over leaves placed on black fabric. No results, more spray, nothing happening, we worked with other products and kept patiently checking the bleach spray. Finally my husband brought out a new bottle of Clorox instead of the generic bleach we were using. Instant results, so check on the strength of any generic bleach you have, we watered it down and it was too weak. Lesson learned the hard way, we wasted an hour and a half waiting for the bleach to NOT work. In the mean time we played with Soft Scrub, with added bleach, and two generics from the Dollar Store, a scrub and a gel. We carefully sponged them over stencils, again nothing worked. The generic products are too weak, when we finally stirred in some Clorox, it finally started to change color. One of the things we had learned previously was that chlorine evaporates quickly, if you put Soft Scrub on a paper plate to work with it, it will loose strength the longer it sits out. So we had added bleach, unfortunately it was the generic. We finally got things going, about noon, and decided on a coffee and lunch break.




Since things were finally working we decided to keep going, because it was a nice cool day, and all the supplies were already outside. Peggy continued to work with the scrubs with added Clorox, the scrub gave some color/texture/thickness to the paste and you could see what you had painted onto the stencil. She redid some of the pieces she'd already stenciled, giving her a two tone appearance, a very bleached out white and a rusty area. With the bleach products, we also had a bucket of Anti-chlor from Dharma, which we soaked the fabric in for 15 minutes, and then rinsed in plain water. WORK OUTSIDE with bleach products, my picnic table and deck were perfect for this, but our fabric kept blowing away in the wind. We used clear flat marbles and rocks to hold everything down.

We both tried Jacquard's Decolourant, the regular and the Declourant Plus with white dye. After stenciling onto the fabric, the piece was left to dry, and then ironed to activate the process. It was hard to tell how much to iron, as the white paste still remained on the fabric, and the directions said the longer/hotter you iron the more it discharges. The fabric was then rinsed in plain water, and you could see the black dye wash out, it looked purple and we hoped the stencil would have a purple cast to it. But it rinsed out to a tan/white, you could see the brush strokes and the different areas where the iron was on longer. Also some of the iron vent holes appeared in the print, but we both liked the effect, so it wasn't a problem. Lesson learned, keep the iron moving.





We decided that our black fabric was probably "Country Classics" from Joann's Fabrics, I had bought a bolt on sale, but we also had some scraps, who knows what that was. The regular Decolourant left the fabric with the underlying dye color, and the Plus with white, left a white washed sheen to the areas that were discharged. I tried a piece of fabric with both types, and the effect was very nice together, subtle color changes added variety to the print. I used mostly fern, Gingko, and a large leaf stencil, Peggy had a bird on branch stencil, leaves, butterfly, and other bugs. The results were very different from the Clorox to the Decolourant. At the end of the day, I stenciled declorourant onto a dark pink 100% cotton T-shirt, after drying it ironed and rinsed out to a yellow under dye. It needs to be rinsed and then washed to see the final results. I'll add a picture later. I think I will add some Shiva oil sticks to the gingko fabric I printed, maybe the ferns as well. The large leaf print I am already working on, I'll post it the next time I blog. We had a great day, thankfully it was cool enough to really enjoy, a slow start, but we are happy with our final results. We learned to work out our "what ifs" trying to make everything work, trying different products, and techniques. It's great to work with a friend, I would have stopped half way through if I had been by myself, but setting aside the time to really try it, with a friend, was great fun.

Saturday, January 28, 2012

Twisty Pointy Bags






For Christmas presents I made some small drawstring bags. I found a pattern for a Japanese bag, where the first part is sewn as a windmill, and the sides swirl up on the bias, it results in points of fabric at the top. It recommended cutting off the points and sewing on loops for the drawstring. I said "no way!" the points are the best part. I had remembered seeing somewhere, a finishing technique where the points were folded over and a channel made for the cording. I finished my bag with this method and love the results. I showed the bag at our textile art group meeting and everyone loved it and wanted to make them at the next meeting. So I made a handout with directions and everyone brought fabric and a few sewing machines. My first bag was made with a faux-sashiko technique on indigo fabric. I used Jacquard De-colourant, in a small needle tip bottle, through a stencil I made small dashes to make a pattern to imitate the Japanese stitching technique. One of the strips did not bleach out very well, so I made an extra piece by printing small maple leaves onto the fabric with the de-colourant. I love this one the best, it is for me! I made several others for presents, some with four strips, some with narrower 8 strips, in a variety of prints.