Dyed cotton yarn, "Sugar and Spice" made into 3 and 5 yard skeins, soaked in soda ash, and drizzled with dye concentrate. Also a large ball of cotton yarn, with the dye just poured on. I should have squeezed it some, to get the dye to penetrate into the ball.
My dye prints and painting drying on the line and on the bushes.
A large queen size sheet from Marnie, that we hung on the fence and splashed leftover dye onto it. We smeared it dripped it, sprayed and made hand prints, we sprayed it with water to make the dyes bleed too.
Some of the dyed fabric I made in a 3 layer "parfait" technique, the sets of 3, on the left, top and bottom, were all in separate dye pots together as a 3 layer batch.
Peggy and I got to have a second visit with Vera, she called and said she had a lot of dye concentrate left and would we like to come down. Several of our pieces needed to be redone or layered with additional dye printing, the colors had washed out, probably cause I did not pretreat with soda ash. Also they just needed "More" color, texture, etc.. they just looked unfinished. So we spent the day adding extra layers of color to pieces we had already worked on, the difference was astounding, a lot of depth and texture created a more unified piece, more interesting to look at, with good color contrast, sometimes we just added highlights or contrasting color to give it "Pop." I could really see the difference that adding more layers made in the pieces, it was worth the extra work! I think I really like the pieces that are more textural, the ones with large prints are difficult for me to work with. I don't know what to use them in or how to cut them up. They are fun to make, but now what to do? An all over pattern or texture is easier for me to envision in something, large abstracts are not my thing.